deep record store

zuli - terminal

artist:
title:
terminal
label:
format:
2lp
catalog number:
UIQLP003
price:
25.34 €
barcode:
UIQLP003
genre:
electronic/experimental/hiphop/grime
release:
2018.11.09. 
note:
out of stock
• Highly anticipated debut album from Ahmed El Ghazoly, aka Zuli for Lee Gamble’s UIQ label
• Meshing the rhythmic grammar of hip hop and club styles with the Arabic dialects of his MCs and vocalist and the free syntax of ambient music
• Featuring prominent Egyptian rapper Abyusif, newcomers Abanoub, Mado $am and R-Rhyme, and the mysterious Mecca-based vocalist MSYLMARIYL
• Mastered by Helmut Erler at Dubplates & Mastering
• Design - Dave Gaskarth, photography - Selim El Sadek

Electronic prism-pusher Zuli explores themes of identity, both hyperlocal and global, in ‘Terminal’; his singular and definitive artistic statement for Lee Gamble’s UIQ Expanding his sound to encompass melancholic ambient composition and grimy rap from prominent Egyptian MC, Abyusif, as well as newcomers Abanoub, Mado $am and R-Rhyme, and mysterious Mecca-based vocalist MSYLMA, ‘Terminal’ finds Zuli drawing upon a multiplicity of personal experiences in a concerted effort to upend preconceptions of what an Egyptian artist “should” sound like.
In Zuli’s own words: “In a world that feels like it’s regressing into tribalism, many of us who don’t fit into any one specific group identity feel sidelined at best. When people talk to me, whether it be the press or peers in the scene I operate in, I am often approached with a preconceived notion of pretty much everything from my influences to and tastes to my politics and lifestyle, solely based on my nationality. It is a caricature that has proven very marketable, one that makes for a more interesting read/conversation/booking, apparently, than a multi-faceted (hence unique) human personality just like each and every one of us.”
Across the 14 tracks of ‘Terminal’, the Cairean artist smartly unpackages and dissolves those lazy pre- or misconceptions by forming his own, syncretic musical language. Meshing the rhythmic grammar of hip hop and club styles with the Arabic dialects of his MCs and vocalist and the free syntax of ambient music, he dissolves and undermines outmoded ideas of exotification, presenting an image of himself that’s more akin to the reality of Cairo and the sci-fi idea of P.K.D’s scramble suits than any cliche conjured by music media. With controlled aggression and a gauntleted grasp of chaos, Zuli serves big highlights in vocal pieces such as the opener ‘Nari’, featuring all the MCs entangled in a noxious noise rap clash, which smartly contrasts the haunting plangency of MSYLMA’s lament on ‘Kollu I-Joloud’.
But the vocal only account for half o fate album, and Zuli really comes into his own on cuts such as the sparring grime instrumental ‘Bump’ and the sawn-off junglism ‘Wreck’, and the album’s more delirious moments, like the poly-chromatic designs of ‘He’s Hearing Voices’ and the heat-warped geolocators diffused into the ambient keen and astral jazz flourishes of ‘Follow Your Breath’.
a01. nari (ft. abyusif, mado $am, abanob, r-rhyme)
a02. archimedes (ft. abyusif)
a03. bump
a04. wreck
b01. he’s hearing voices
b02. stacks & arrays
b03. kollu l-joloud (ft. msylma)
c01. akhtuboot (ft. abyusif)
c02. mazen (ft. abyusif)
c03. follow your breath
d01. ana ghayeb (ft. mado $am, abanob, abyusif)
d02. in your head
d03. vulnerbody
d04. continue
© 2007-2019 deep music kft. All rights reserved. | 60c7557a0d | | FAQ | made by su