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v/a floating points - late night tales

artist:
title:
late night tales
label:
format:
2lp
catalog number:
ALNLP52
price:
28.55 €
barcode:
5060391092010
genre:
folk/jazz/rock/electronic/ambient
release:
2019.03.29. 
note:
LAST ITEM!
Floating Points’ personal collection of global soul, ambient, jazz and folk treasures form the latest in the warmly revered Late Night Tales series.

Sam Shepherd aka Floating Points’ music taste is notoriously tricky to define, ranging from ethereal classical at one end to coruscating techno at the other, united only in a firm belief in the transcendental power of music to move hearts, minds and – yes – feet. Similarly, his production career has ranged from early experiments in dance music with breakout records such as the ‘Shadows EP’ and collaborating with legendary Gnawa master Mahmoud Guinia to his expansive album ‘Elaenia’, which met with critical acclaim upon its release in 2015.

This Late Night Tales excursion into the depths of the evening reflects his broad tastes. The globally-travelled producer has collected untold treasures on his travels from dusty stores in Brazil to market stalls near his hometown. There’s the gorgeous ‘Via Lactea’, culled from Carlos Walker’s debut album, Abu Talib’s (Bobby Wright) plaintive ‘Blood Of An American’ and Robert Vanderbilt’s gospel reworking of Manchild’s ‘Especially For You’. Raw soul and feeling oozing from each song’s pores.

At the other end of the music scale are the modernists, such as Québécoise Kara-Lis Coverdale who weighs in with the indelible ‘Moments In Love’, Kaitlyn Aurelia Smith whose ‘Milk’ is an exercise in tranquility, while Sarah Davachi’s meditative mix-opener offers respite from a weary world.

We have some exclusive tracks for Late Night Tales; alongside Davachi’s offerings there is also Toshimaru Nakamura’s ‘Nimb #59’, as well as the now traditional cover version. hepherd delved into his childhood
memory for this one, a track taken from the first album his parents bought him, Kenny Wheeler’s ‘Music For Large & Small Ensembles’: Sam offers up his interpretation of ‘Opening Part 1’. Wheeler also contributes horns to Azimuth
track The Tunnel, written and performed by Norma Winstone and John Taylor who, coincidentally, are the parents of Floating Points’ drummer Leo Taylor. Closing the album, Lauren Laverne reads the suitably nocturnal poem ‘Ah! Why, Because The Dazzling Sun’ by Emily Brontë.

“I tried to find music that reflects the stillness of night. And because my musical interests lie all over the place, it’s quite difficult to distil that notion down to just a few songs. I was quite keen to have some electronic music in there but I also really wanted to have some soul music mixed in, so I had to try and find a pathway between all of this different music.” - Sam Shepherd (Floating Points) March 2019
a01. sarah davachi / untitled, live in portland (excerpt) (exclusive track)
a02. carlos walker / via láctea
a03. the rationals / glowin’
a04. william s. fischer / chains
b01. max roach / equipoise
b02. abu talib (bobby wright) / blood of an american
b03. sweet & innocent / express your love
b04. robert vanderbilt & the foundation of souls / a message especially from god
c01. the defaulters / gentle man
c02. alain bellaiche / sun blues
c03. alain bellaiche / sea fluorescent
c04. kara-lis coverdale / moments in love (excerpt)
d01. azimuth / the tunnel
d02. kaitlyn aurelia smith / milk (excerpt)
d03. toshimaru nakamura / nimb#59 (exclusive track)
d04. floating points / the sweet time suite, part i / opening (exclusive kenny wheeler cover version)
d05. lauren laverne / ah! why, because the dazzling sun (exclusive spoken word piece)
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