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v/a compiled by bonobo - late night tales

late night tales
catalog number:
25.34 €

bought together

vinyl cover pe
polyethylene plastic / lp
0.26 €
vinyl cover
paper / hard
/ white / hole...
0.77 €
vinyl cover de...
paper + nylon / white / 12"
0.32 €
irie maffia (hungarian)
what's my name
6.42 €
the north borders
22.14 €
vinyl cover
paper / hard
/ black / hole...
0.77 €
vinyl cover
paper + nylon / white / 12"
0.22 €
black sands
22.14 €
Late Night Tales and Bonobo were pretty much made for each other, it just took them a while to both realise it. Stepping forward into the compiler’s spotlight for the 33rd edition is Simon Green – aka Bonobo – a musician, producer and DJ perfectly suited to soundtrack an evening spent reclining to some parallel beats. Six albums to the good (‘The North Borders’ released earlier in 2013), Green has been on a winning streak since 2010’s breakthrough ‘Black Sands’, which has now sold in excess of 160,000 copies. His music has aided the sales of Citroen cars and Olay creams, as well as soothing the puzzlement of Lost. Wrapped in delicately programmed drums, Green’s music is at once both sombre and reassuring. If what comes out the other end is the music of Bonobo, then this is the fuel that keeps the engine running: soul, jazz, classical, pop, funk, leftfield, rock. Pianos and brass are abundantly present. Our ivories are warmed and tickled by the classic, Bill Evans, and new school, with Matthew Bourne’s mournfully beautiful ‘Juliet’ and Dustin O’Halloran’s ‘An Ending A Beginning’. The brass section comes courtesy of Menehan Street Band’s jazzy ‘The Traitor’, ‘Flipside’ by the Hypnotic Brass Band. Also included is YouTube sensation ‘One Thing’ by Peter & Kerry, R&S signing Airhead, jazz harpist Dorothy Ashby and the timeless soul of Dorando’s ‘Didn’t I’. Not only that, but there’s Bonobo’s special LNT cover version, a brilliant reading of Donovan’s ‘Get Thy Bearings’. As the light dims, the unsettling sounds of Lapalux or maybe even Shlomo pierce the misty evening air, before giving way to the ethereal splendour of Eddi Front’s ‘Gigantic’ or even Nina Simone’s paean to an imagined rural idyll ‘Baltimore’. Amble down to the riverside. It could be the Great Ouse, as willows weep into the water; it could even be in Brooklyn overlooking the Lower East Side, as the sun slides down the sides of the skyscrapers. Take a notepad for inspiration. Maybe even a hipflask for a slug of something warm. Sit down and reflect and let those beautiful pianos skim the water’s surface. Sometimes, you think, life is good. You can’t play a symphony alone, it takes an orchestra to play it: Simon Green is your conductor.

The way I approached this mix was very different to how I would normally. I wasn’t thinking of it as a DJ mix so much as a selection. I’ve been familiar with the series for a long time, and I was conscious of that, but I really wanted to put together a curated selection. The criteria for choosing the songs was really music I’ve been playing away from the dance floor over the years. So there’s a wider variety of stuff on here, from neo-classical to more abstract electronic pieces to spiritual jazz. It's more a reflection of the stuff my music is informed by.

Simon Green October 2013
a01. dustin o'halloran / an ending a beginning
a02. bonobo / get thy bearings (exclusive donovan cover version)
a03. darondo / didin't i
a04. nina simone / baltimore
a05. menehan street band / the traitor
a06. romare / down the line (it takes a number)
b01. shlohmo / places
b02. the invisible / wings (floating points remix)
b03. badbadnotgood / hedron
c01. matthew bourne / viii juliette
c02. airhead / south congress
c03. matthew halsall / sailing out to sea
c04. dorothy ashby / essence of sapphire
c05. peter & kerry / one thing
d01. eddie front / gigantic
d02. bill evans / peace piece
d03. benedict cumberbatch / flat of angels (part 3 - exclusive spoken word piece)
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